Louise Walsh

2008  The Hybrid Love Seat (Boundary Sculpture at James's Luas Stop)
The Boundary Sculpture is a 40 meter long art work, which includes bronze sculptures made by teenagers from three local schools on a linked art workshop project, supported by multiple local partner organizations (IMMA, Diageo, RPA, Dublin City Council, St James’ Hospital, SWICAN, IYF, etc.). NCAD graduates were employed as paid artist assistants. Also, there was volunteer mentor participation from NCAD undergraduate students who were trained in group facilitation and child protection as part of the programme.

2006  Cois Mara

2001  Royal Victoria Hospital, Belfast

2001  Video Grabs

2000 ‘Imagine’ Local stone. Blacklion swimming Jetty, Co Leitrim.
A site specific sculpture participatory project made with local young people, as part of the Lough Mac Nean Sculpture trail.

1999 Sweets and Snails (Sugar and Spice). Bronze, Street Signs and Ramp.
Public artwork made in St Finians Housing Estate. Signs made by local children through workshops devised and run by the artist.
Commissioned by South Dublin County Council as part of In “Contexts 1”, in association with Artworking.

1994. Installation at Heathrow Airport in Pier 4a Link bridges phase1. Projected light and photo-transparencies.

1992 Monument to the Unknown Woman Worker. Bronze, Located in Great Victoria street, Belfast.

1992 Sounding the Depths: a collaborative project by Pauline Cummins and Louise Walsh.                                                                                                    Video projection, sound, photoworks. Installation initially devised for IMMA, toured internationally.

1991 Available Resources, City Shirt Factory, Orchard Gallery.                                                                                                              Walsh drew the female workers at work, the drawings were exhibited in the canteen of the City Factory and in the Orchard Gallery.

1991 Outlaws Inlaws, Light box, glass, plaster.                                      Installation sited in a cell at Kilmanham Gaol. As part of the exhibition ‘In a State’, curated by the Project Arts Centre.